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Yaakkai – 2017 – Tamil – Romantic Thriller movie



cast : Kreshna, Swathi Reddy
Director : Kuzhandhai Velappan
style : Romantic Thriller
yr released : 2017

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YAAKKAI SYNOPSIS: The chairman of a multi-forte health center dies mysterious and the cop investigating it thinks it could be the chairman’s son. but extra our bodies are found out and puzzle him. who is at the back of these murders and why?

YAAKKAI evaluation: the hole scene of Yaakkai is so stuffed with mood — darkish, mysterious and putting. We see a mysterious determine get out of a automobile on high of a multi-storeyed car parking zone, and the automobile toppling over to the ground. We perk up and hope we’re in for a forceful thriller thriller, very similar to Dhurvangal Pathinaaru. but what follows subsequent is a disappointing movie that can not come to a decision if it needs to be a procedural or a romance. as an alternative of juicy suspense, the director chooses frivolous romance.

The action cuts to Kathir (Kreshna, who plays this personality like a person-child and assessments our endurance), a school student who is head over heels in love with his college mate Kavitha (Swathi, beautiful but nothing else). Kavitha is the kind of angelic determine who we see simplest in our movies. She donates blood, is pleasant with speech and listening to impaired children and is at all times with a smile. at times, Velappan decides to offer us what is happening with Sahayam (Prakash Raj, strong), the cop who is investigating the medical institution chairman’s dying. he’s moderately certain that the chairman’s son, Sriram (Guru Somasundaram, who’s especially bland), has one thing to do with this. And Sriram does have skeletons in his closet.

This parallel narration does moderately preserve us hooked for a while, however we’re soon in a position to bet who is committing the murders and our pastime wanes. It doesn’t lend a hand that we start predicting the scenes that observe after that. And the Kathir-Kavitha relationship retains getting sillier and sillier. in spite of everything, the trouble to make the romance one thing divine (just like the one in Ghajini) doesn’t move us one bit.

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