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solid : Raghava Lawrence, Nikki Galrani
Director : Sai Ramani
genre : action Masala
year launched : 2017
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After the blockbuster success of Kanchana 2, Raghava Lawrence is again with the motion-packed mass entertainer Motta Shiva Ketta Shiva, which has hit the monitors ultimately after quite a few hurdles.
Shiva (Raghava Lawrence), supports G.okay.Raja, the villain, to oppose Sathyaraj, with whom he has an untold earlier. alternatively, Shiva backs off from assisting G.okay and joins Sathyaraj’s workforce in a sudden changeover of situations. What are the situations that make Shiva change his thoughts? What happens after that?
Lawrence’s mass efficiency are just right, and his display presence works in choose of the movie, but it surely doesn’t assist for an extended time. Nikki Galrani has less performing area, and he or she seems in simply songs, few dull romance parts and the climax. Sathyaraj, as a good police officer, justifies his role. though there are comedy experts like Kovai Sarala, Sathish, Motta Rajendran within the film, unfortunately, the humor doesn’t work out. The villain doesn’t make a big impact as he keeps shouting all over the movie and his characterization can be not clear as as to if he is a major villain or a comical one.
proper from the lead given to the hero introduction scene, almost the complete movie follows the clichéd mainstream masala entertainer pattern. The film is totally predictable that you simply understand it’s ending in the interval itself. the scholars protest sequence within the second is intended to be humorous, however on the contrary, it assessments your endurance.
even if the target audience will experience Lawrence’s communicate delivery fashion, the over utilization of punch dialogues will have been kept away from. The ‘pazha mozhi’, ‘pudhu mozhi’ dialogues are overdone. The unrealistic stunts and too much of gunshots add artificiality. With the lend a hand of especially abled kids, the emotions are conveyed which work to an extent.
Amrish’s songs seem to be specially composed for Lawrence’s dance strikes, while his heritage score is moderate. Hara Hara Mahadevaki lines are rephrased and changed, and you don’t take heed to the strains which were there in the musical album. Sarvesh Murari’s visuals are too bleachy at few locations.
Being a remake of the Telugu film Pataas, the director simply had to concentrate on the screenplay. alas, the screenplay isn’t enticing either, with songs performing as an important pace breaker. no longer just the songs, there are many other unnecessary scenes which may’ve been refrained from.
Sai Ramani, here, relies on Lawrence’s efficiency and his screen presence. He hasn’t experimented or tried anything else new, and has merely followed the masala template. morelimited and a tighter screenplay would have helped the film to be one of the crucial enjoyable entertainers, but what we get is an outdated run-of-the-mill drama.