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KUTTRAM 23 SYNOPSIS: A case involving the disappearance of a pregnant lady turns into a non-public one for the cop who is tasked with investigating it.
KUTTRAM 23 assessment: Kuttram 23 is slickly made pulp (the story is via crime novel professional Rajeshkumar) that unfolds as a aggravating investigative thriller. It additionally offers us a scrumptious irony. Arun Vijay, who performed an unrepentant felony who indulges in clinical crime in Yennai Arindhaal, is now on the other aspect, playing a cop whose investigation helps expose a scientific crime racket! he’s ACP Vetrimaran, who is surpassed over a sensitive case involving the disappearance of Jessica, a pregnant lady, who’s the spouse of tv channel boss. As Vetri begins investigating, he gets nearer to Thendral (Mahima Nambiar), a witness within the case, on whom a homicide strive is made.
meanwhile, on the house entrance, his sister-in-legislation, Abhinaya (Abhinaya) turns into pregnant after a few years of marriage. then again, she commits suicide and when Vetri probes, he realises that her dying is connected to the homicide of Jessica. And there are other pregnant girls who’ve died beneath mysterious cases. What’s the hyperlink between these murders?
As he has shown in view that his debut Eeram, Arivazhagan has an inherent ability for classy visuals and with lend a hand from his cinematographer KM Bhaskaran, he has made Kuttram 23 a sleek movie whose shiny frames look the same as they are from a tv commercial. but, not like together with his earlier movie, Aarathu Sinam, this time, his script is solid. It’s a testament to the script’s single-minded focus that even Thambi Ramaiah, who performs Vetri’s assistant and is principally in the movie to provide some humour, doesn’t stick out. And the performers and the crew are as much as the task. Arun Vijay shows an intensity that’s much like what we saw from him in Yennai Arindhaal, and is effective as a determined cop. Mahima’s is a damsel in distress function, however she fits in completely. Vishal Chandrashekhar’s vigorous rating and Bhuvan Srinivasan’s nifty enhancing (a battle scene inside a lodge room is a standout) bring up the flicks moments of thrill.
the issues are mostly ones that are inherent to the style. for the reason that it is a whodunit, the ultimate revelation feels rushed and whilst you think again on one of the most traits in the film, they don’t seem watertight. Then there are the problems of morality. it is a film that doesn’t bat an eyelid whereas announcing that custodial deaths aren’t complicated (and are, in fact, the solution). And in trying to underline its message (adoption as a substitute for childless couples), it is usually reasonably judgemental about couples who attempt to have a baby via alternative pregnancy strategies. however these are minor considerations in a movie that’s immensely enjoyable as a thriller from begin to end.