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A period movie set in the 80s concerning the golden Rajini-Kamal technology in Tamil cinema is cause sufficient to make a beeline against a theater enjoying ‘Engitta Modhathe’ directed by debutante Ramu Chellappa. however, whether or not he has totally happy the viewer along with his story of cutout politics remains to be seen.
Natty Natraj plays Ravi a cutout painter who is also a fanatic Rajini worshipper while his colleague and close buddy Perumal (Rajaji) is an ardent Kamal fan. Natty beats up a policeman for discoloring a Rajini painting and the duo are pressured to maneuver to his place of birth Tirunelveli the place they transform a success artists. Rajaji’s mom and sister (Sanchitha Shetty) move in and the girl falls for Natty, whereas Rajaji units his attractions on a neighbor woman played by way of Parvathi Nair. When Rajini’s ‘Manithan’ and Kamal’s ‘Nayagan’ free up on the same day a battle between the 2 enthusiasts irks an area politician Chidambaram (Vijai Murugan) who with the benefits of the theater owner cum Minister hopeful Radha Ravi plots to ban cutouts within the town. meanwhile Natty and Sanchitha affair reasons a rift between the 2 chums with Rajaji becoming a member of forces with the enemies and what happens subsequent kinds the remainder of the screenplay.
After ‘Sathuranga Vettai’ that is Natty Natraj’s highest performances as he has nailed a Rajini fan to perfection together with his voice modulation, physique language, gait and even when he’s simply standing. He has finished the fights and the love scenes with gusto and his dancing too has more desirable rather a lot. Rajaji gives a neat account of himself throughout, however regrettably put up interval his position has been unjustifiably reduced to an additional. Sanchitha Shetty is fetching because the 80s lower heart class woman and offers the oomph factor in the songs. Parvathi Nair on the other hand has little or no to do as Rajaji’s love hobby. artwork director Vijay Murugan takes to evil like a fish to water whereas the scheming baby-kisser position is simply another walk in the park for the professional Radha Ravi. Muruganandham and the other actors taking part in the Rajini and Kamal fanatics provide some natural comedy that tickles the humorous bones most of the time.
The highlight of the movie is the shedding of sunshine on the hitherto unknown politics that Rajini and Kamal fanatics performed after they have been in their peak even though the legends themselves stayed away from it. Radha Ravi tells Vijay Murugan that Rajini and Kamal fans are extra powerful than the celebs themselves kind of sums up the theme of ‘Engitta Mothathe’ .
Natarajan Shankaran’s songs and heritage scorematch effectively into the length of the story and he positive is a welcome in finding. Cinematographer C. Ganesh Chandra has not experimented an excessive amount of and has long past for the sepia tone to get the 80s feel whereas editing with the aid of Athiyappan Siva, art course by Aaruswamy, stunts via Miracle Michael all pass muster. writer-director Ramu Chellappa has carried out nice detailing within the first half to transport the audiences to the eighties generation and his dialogues are crisp and impactful. there may be sufficient warfare between the two pals that will have parallelly collided with their ideology as fanatics of Tamil cinema’s greatest superstars. The director, on the other hand completely writes out Rajaji’s personality in the 2nd half of and as an alternative makes a speciality of the conflict between Natty and the politicians which is superficial to the story he got down to tell. in the fight sequences Natty beats up innumerable goons armed with weapons whereas there’s now not even a scratch to show on him. all the crew clearly forgot the fact that Natty is simplest a Rajini fan and now not the Thalaivar himself. After some extent, especially within the 2d half the scenes change into repetitive and border on boredom.