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solid: GV Prakash Kumar, Kriti Kharbanda, Balasaravanan, Anand Raj, Naan Kadavul Rajendran, Muniskanth, Mansoor Ali Khan
direction: Prasanth Pandiaraj
genre: Comedy
length: 2 hours 5 minutes

movie assessment: It was once across the same time that two films, one in Tamil and the opposite in Telugu, titled Bruce Lee had been being made, accordingly evincing curiosity amongst movie buffs. interestingly, Kriti Kharbanda was once a typical factor in both the initiatives. When the Telugu model, which released nearly a year-and-a-half in the past, didn’t leave any mark, one hoped that the Tamil model would fare higher because the makers have been claiming it to be a black comedy. on the other hand, there is rarely any comedy scene to look ahead to on this film and one finally ends up surrounded by means of pitch-black darkness. If spirits might watch films, the spirit of real Bruce Lee will become Kanchana and Chandramukhi after observing this absurd film.

Bruce Lee (GV Prakash) is a coward who runs faraway from dealing with issues. Bruce Lee is the identify given to him by means of his mom after she finds out that her son loves staring at the actor’s motion pictures, and to make him a courageous person when he grows up. but, he continues to remain a coward though he wins the love of an attractive girl (Kriti Kharbanda). The film, which has a slew of uninteresting flashback sequences, lacks a back story about how they fall in love, which makes the romantic monitor unconvincing. however that doesn’t deter the love birds to point out their intimacy to each other.

Lee and Abbas (Bala Saravanan), his close friend, hastily get right into a tussle with Maasi and Kasi, the shut aides of Ramdoss (Muniskanth), a dreaded don. Lee, a self-confessed fan of minister Mansoor (Mansoor Ali Khan), follows him one day and finds him within the company of Ramdoss. He clicks the photo of an unexpected incident which occurs there and runs for his existence to save lots of himself, Abbas and their enthusiasts.

A bevy of characters, essayed by means of Anand Raj (as a police officer), Naan Kadavul Rajendran (an area thug) and others, make ineffective appearances, which in no way takes the story ahead. Even Muniskanth’s function, as a person who is over-obsessive about the characters of The darkish Knight and The Godfather, which starts off as an enchanting one, later falls flat. Naan Kadavul Rajendran being used as spoof material in virtually each different movie has change into anxious and it’s high time this actor is utilised sensibly. There’s additionally a point out of Lakshmy Ramakrishnan’s show Solvathellam Unmai in this movie, too, once more for no cause. The movie also tries to trip on useless Thala-Thalapathy references; although, the one scene that was once lapped up with the aid of the audiences is one showing Vijay fans celebrating the discharge of Khushi.

The film begins with the well-liked quote of Quentin Tarantino — ‘I steal from every single film ever made’, which is adopted by way of ‘I get impressed from every single movie ever made’, this one with the aid of Prasanth Pandiaraj. Let’s just hope no one gets inspired by using this movie and makes motion pictures titled Jackie Chan, Tiger Chen or Tony Jaa.

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